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My favorite Social bandit is Joaquin Murrieta or as well known “El Zorro”. I will like to give a brief summary of his life as “El Zorro” during the 1820s. The legend of “El Zorro” is based on Joaquin’s Murrieta life. “El Zorro” has become one of the most famous heroes in history but everything is related in the difficult life of Joaquin Murrieta.
Zorro (Spanish for Fox) is the secret identity of Don Diego de la Vega (originally Don Diego Vega), a fictional nobleman and master swordsman living in Spanish and Mexican-era California. He defends the people of the land against tyrannical governors and other villains, and is not only much too cunning and foxlike for the bumbling authorities to be caught, but delights in publicly humiliating those same foes. The character's visual motif is, typically, a black costume with a flowing Spanish cape, a flat-brimmed Andalusian-style hat, more appropriate to a California caballero than the wide sombrero the character wore in the original, and a black cowl mask that covers the top of the head from eye level upwards. (The mask covered his whole face in the original.) In addition, his favoured weapon is a rapier which he often uses to leave his distinctive mark, a large 'Z' made with three quick cuts. He also uses a bullwhip, like the later Indiana Jones. In the original story, he also used a pistol, but this has rarely been seen since. In the 1998 film The Mask of Zorro, a younger protagonist, Alejandro Murrieta was accorded the title, and is called Zorro in his own 2005 adventure The Legend of Zorro. (In this second appearance, Murrieta has also achieved the status of "Don" and has renamed himself Alejandro de la Vega.) The end of Don Diego de la Vega as Zorro is shown in the 1998 movie The Mask of Zorro. In 1821, during the Mexican War of Independence, Governor Don Rafael Montero (Ex-Moncada) finally discovers the secret identity of Zorro and lays a trap to catch him. The two enemies fight in De la Vega’s mansion, accidentally killing De la Vega’s wife, Esperanza. Don Diego is captured and imprisoned, his home burned down and his infant daughter, Elena, kidnapped and brought up by Rafael Montero as his own daughter during his exile in Spain.Twenty years later, Montero returns to California and makes a plan to separate the region from the new Republic of Mexico, ruled by General Santa Anna, buying California with the gold of a secret mine in the Californian desert. This enterprise is fueled by slave labor in the mine and a clear intent to kill all personnel after the gold is extracted.
De la Vega escapes from prison with the intention of taking revenge on Montero and telling Elena her true origin. He also trains a young delinquent, Alejandro Murrieta, as a new Zorro. In the final fight, both Montero and De la Vega die. The new Zorro and Elena get married. Murrieta (now known as Alejandro De la Vega) continues the fight against injustice at least until 1850, when California becomes the 31st US State. Zorro continues his heroic crusade in American California, with the approval and support of his wife Elena and son Joaquín. Since Zorro's introduction, countless characters have been created using the same basic theme: a normally law-abiding individual who is faced with great injustice and takes up a mask and secret identity to right wrongs and protect the innocent. Moreover, Zorro's devil-may-care attitude, mastery with the sword, daring escapes, and tendency to laugh in the face of authority has become common traits of swashbuckling heroes. People were afraid: afraid of crime, afraid of war, afraid of oppressive governments. El Zorro and his dashing adventures allowed them to imagine a world where wrongs could be righted, not through a system that was often slow and corrupt, but swiftly and surely. His sword and whip attacked villains justice could not touch; sometimes the villains were themselves the supposed guardians of justice. Zorro is also the consummate romantic, a combination of Latin lover, gentleman bandit, and charming rogue. Even as enemy forces closed in from all sides, he often found the time to give his leading lady a passionate kiss before he executed another daring escape. Another important component of Zorro's appeal lies in his near-supernatural ability to defy the odds. No matter how great the challenge or powerful the enemy, Zorro always came out on top and set things right. He was the underdog who could even the odds with a stroke of his blade, taking down the powerful and arrogant by several notches. Whenever a screen swashbuckler defies a sputtering tyrant or a grim, black-clad comic book vigilante stalks the night seeking criminal prey, both are following in the footsteps of El Zorro and the ideals that made him popular through four generations of fans.

Joaquin Murrieta (sometimes spelled
Murieta or Murietta) (1829–ca.
1853),
also called the Mexican or Chilean Robin Hood or the Robin Hood of El Dorado,
was a semi-legendary figure in
California
during the
California Gold Rush
of the 1850s. He was either an infamous bandit or a Mexican patriot, depending
on one's point of view. Whatever the truth of the matter, his name has, for some
political activists at least, symbolized resistance against
Anglo-American
economic and cultural domination in California. The site of Murrieta's birth is
disputed: either
Alamos,
in the northwestern state of
Sonora,
Mexico,
or in
Quillota,
Chile
(near
Valparaiso).
Some scholars contend his maternal side had
Cherokee
ancestors from the southeastern US who migrated to Chile in the late 18th
century.
Folklore claims Murrieta, a noble
landowner supposedly of mainly Spanish
criollo
blood, sympathized with the struggle of
Native Americans
as well as that of the Mexicans and Spanish-Americans he encountered in his
residence in 1850s California. It is said he first went to California in 1850 to
seek his fortune in the
California Gold Rush.
Instead of opportunity, though, he encountered
racism
and discrimination. Unable to make a living legally, Murrieta became a leader of
the band called The Five Joaquins, which also included Joaquin Botellier,
Joaquin Carrillo, Joaquin Ocomorenia, and Joaquin Valenzuela. Between 1850 and
1853, these men, along with Murrieta's right hand man, "Three-Fingered Jack"
(Manuel Garcia), were said to be responsible for the majority of cattle
rustling, robberies, and murders committed in the
Mother Lode
area of the
Sierra Nevadas.
They are credited with stealing more than $100,000 in
gold
and over 100 horses, killing 19 people (mostly
Chinese
mine workers), and having outrun three
posses
and killing three lawmen. At the time, no one was certain of the name of the
leader, so he was simply called Joaquin, and it was further uncertain if it was
one or more bands. The band was supposedly supported by
Californios,
who protected them, even by non-Hispanic Californians like
Robert Livermore.
On
May 11,
1853,
Governor of California
John Bigler
signed a legislative act creating the "California
State Rangers," led by Captain
Harry Love
(a former
Texas Ranger),
whose mission was to arrest the Five Joaquins. The California Rangers were paid
$150 a month and stood a chance to split a $5000 reward for the capture of
Murrieta. On
July 25,
1853,
a group of these rangers encountered a group of Mexican males near Panoche Pass
in
San Benito County,
about 100 miles from the Mother Lode and 50 from
Monterey.
A confrontation occurred, and two of the Mexicans were killed, one claimed to be
Murrieta and the other was thought to be Garcia. The Rangers took Garcia's hand
and Murrieta's head as evidence of their death and displayed them in a jar,
preserved in
brandy.
The jar was displayed in
Mariposa County,
Stockton,
and
San Francisco,
and traveled throughout California, where spectators could, for $1, see the
remains. Seventeen people, including a priest, signed
affidavits
identifying the remains as Murrieta's, and Love and his Rangers received the
reward money. However, a young woman claiming to be Murrieta's sister said she
did not recognize the head and argued that it could not be her brother's since
it did not have a characteristic scar on it. Additionally, numerous sightings of
Murrieta were reported after his death was announced. Many people criticized
Love for showing the remains in large cities far from the mining camps, where
Murrieta might have been recognized. It has even been claimed that Love and his
Rangers killed some innocent Mexicans and made up the story of the capture of
Murrieta to claim the reward money. The head was lost in the
1906 San Francisco
Earthquake. Soon after his
reported death, Murrieta became the subject of story and legend. In 1854 the
first fictionalized account of his life appeared in a San Francisco newspaper
and in a book by Cherokee author
John Rollin Ridge.
It tells a story of how his wife was gang
raped
and killed, his brother was
hanged,
and he was horsewhipped for a crime he did not commit. Murrieta swore to avenge
them by killing all the
Yanquis
or
gringos
he could find. Although there is no evidence to confirm that this actually
happened to a man named Joaquin Murrieta, similar things did happen to other
Mexicans living in California at that time. This account also inspired
corridos
depicting him as a fierce avenger of injustices against Mexicans. The siting of
his alleged birthplace in Chile seems to be a result of reports that Murrieta
sided with Chilean miners during the "Chilean
War." A portion of Ridge's
novel was reprinted in 1859 in the California Police Gazette. This story was
subsequently translated into
Spanish,
which was translated into
French,
and finally the French version was translated back to Spanish by Roberto Hynne,
who claimed to have been in California during the gold rush. This final version
had Murrieta born in Chile instead of Mexico.

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In October of 1966, in Oakland California, Huey Newton and Bobby Seale founded the Black Panther Party for Self-Defense. The Panthers practiced militant self-defense of minority communities against the U.S. government, and fought to establish revolutionary socialism through mass organizing and community based programs. The party was one of the first organizations in U.S. history to militantly struggle for ethnic minority and working class emancipation — a party whose agenda was the revolutionary establishment of real economic, social, and political equality across gender and color lines.